Gina Tron is the brain behind Hollaback’s new t-shirt design. She is an editor for LADYGUNN Magazine and has contributed to VICE, BULLETT, among other publications. She is the creative director for Williamsburg Fashion Weekend and curates the Brooklyn boutique for Runway Passport. www.ginatronic.com
What made you get involved with Hollaback?
Hollaback is such a great movement, and one that I feel I can stand behind 100%. I am against any harassment or action that demeans and objectifies people. I was introduced to Hollaback through Runway Passport who I curate local clothing for. I am also Creative Director at Williamsburg Fashion Weekend, which is part of a fashion movement that aims to bring manufacturing back to New York. The shirts I made for Hollaback are 100% made in the USA.
What was the inspiration for the t-shirt you designed?
When somebody calls you “cutie” or “sexy” or “mommy” when you are just trying to stumble to the laundromat, it’s essentially objectifying you as a woman. It’s bringing you down to the most basic and vulgar part of you. Basically, you are a walking pussy to some of these street callers. They dehumanize you so that they can catcall at you. Some may dehumanize you in a way that they would never do to their sister or mother, or at least I would hope. Also, I’ve been called “Hot Pussy” before. It’s pretty gross. I’m sick of dressing up real nice and then being treated like a walking orifice. And on days that I need to do errands I’m sick of walking around with no makeup on and comfortable clothes, only to be mocked for not looking sexy enough.
Describe your experience with street harassment.
I feel that no mater what it”s degrading. When I was very young and naive I perceived it as a compliment. It’s one thing to appreciate when someone looks nice. It’s quite another to be rated and objectified. I have seen guys literally rating girls as they walk down the street. Loudly. “Nice rack, but thighs are a little too thick!” Stuff like that. Not one day goes by where somebody doesn’t yell something at me as I walk down the street. Sometimes it’s just “sexy,” other times it’s guys discussing if they would fuck me and if so, how.
You seem to be a jack of all trades. What mode of art or creativity do you prefer as a mechanism of healing and self-empowerment?
In general, I channel my struggles into productivity. I like taking negative experiences in my life and twisting them into something productive, entertaining, and hopefully thought-provoking. My sense of humor is my number 1 coping mechanism. If I get harassed by somebody in a ridiculous manner I will often incorporate the interaction or perpetrator into a funny cartoon drawing. That way, my negative experience is channeled into something funny for others, but also it shows how absurd that person is behaving. I draw cartoons constantly. They aren’t Picasso’s by any strength of the imagination, but they help me vent and make me laugh. I am a writer by nature, and any experience in my life, good or bad, gets intertwined into my work somehow. The more experiences I have the better I understand the human psyche, thus the better I write.
What is your secret weapon?
I like to surprise those who harass me. I like to out-creep the creeps. Nobody that is hollering at you expects you to respond or holler back. It is an act to make you feel small, to make you feel like you don’t own yourself. It can make you feel as though you exist for others’ entertainment. I say, screw that. Turn it around and use those who want to use you as entertainment tools. So often, I will mess with their heads, if I feel it is safe to do so.
What advice do you have individuals who get harassed often?
Don’t let anyone who is harassing know that you are uncomfortable. Don’t display anger or hurt. It will only give them what they want. Say something clever and biting back. Something truthful and something assertive. Or you could straight up ignore them. They want your attention and they don’t deserve it. Why wrestle with pigs? You will only get dirty, yourself. Just know that they are behind the times.
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